LENSES


 
New York Aerial Cinematography  ANGENIEUX OPTIMO ULTRA 12X FF:VV

ANGENIEUX OPTIMO ULTRA 12X FF/VV

The successor model to industry reference OPTIMO 24-290 & 28-340, the Optimo Ultra 12x is the ideal long-range zoom for high-end productions: feature films, TV series, live stage, commercials, music videos. The lens features a totally new optical & mechanical design, offering even better optical performance, and improved mechanical stability and serviceability.

Thanks to the IRO technology, the lens can be configured in three different versions: S35 (Ø 31.1mm), U35 (Ø 34.6mm), and FF/VV (Ø 46.3mm) with dedicated sets of rear and rings.”

  • Zoom Ratio 12x

  • Focal Length 24-290

  • Aperture T2.8

  • Close Focus 1.22m / 4ft

  • Internal Focus

  • Image Circle Coverage 31.1mm

  • Weight (APPROX.) 12.6 kg / 27.7lbs

  • Length 472mm / 18.6in

  • Front Diameter 162mm

 
New York Aerial Cinematography angenieux optimo 24-290mm

ANGENIEUX OPTIMO 24-290MM T2.8

Setting the standard for optics technology and performance, the Optimo 24-290, 12x spherical zoom lens meets the most demanding requirements. Manufactured with exquisite precision, it helps you bring greater artistry and cinematic expression to your production in any format. The Optimo long lens is unrivaled as the industry’s reference lenses for every type of production from feature films and television to sporting events and concerts.

  • Focal length: 24-290mm

  • Aperture: T2.8

  • Length: 440mm

  • Front diameter: 162mm

  • Weight: 24.25 lbs. (11kg)

 
New York Aerial Cinematography angenieux optimo style 25-250

ANGENIEUX Optimo Style 25‑250

The Optimo style family of zoom lenses inherits the virtues of the famed Optimo Cine lenses, offering extra production efficiency and system compatibility. The Optimo Style family is initially comprised of two light weight zoom lenses with an optional motorization system, and a 10x zoom lens inspired by the legendary Angenieux 25-250mm zoom. All Optimo Style lenses are carefully manufactured to achieve a resolution of 4K and beyond, making them a sound investment for years to come.

  • 25 mm – 250 mm

  • Aperture: f3.2 – T3.5 with no ramping

  • Length: 377.4 mm

  • Front diameter: 136 mm

  • Weight: 16 lbs – 7.3 kg

 
NYC aerial cinematographer fujinon premista

Fujinon Premista 80-250mm T2.9-3.5

Designed specifically for large-format sensor cameras, the PL mount Premista80-250mm T2.9-3.5 Large-Format Zoom Lens from Fujifilm covers up to a 46.3mm image circle in addition to Super 35 sensors. Its image quality is maintained from the center through the image corners and is color-matched to the Fujifilm cine lens line to reduce color grading in post. Compatibility with both ZEISS eXtended Data and Cooke /i Technology makes it easy to note your lens information for VFX work or matching shots. When paired with its 28-100mm companion, the two Premista zooms cover a wide range of frequently used focal lengths.Focal length: 30-300mm

  • Covers up to large-format sensors

  • Constant T2.9 maximum aperture from 80-200mm T2.9, T3.5 maximum from 201-250mm T3.5

  • Compatible with both ZEISS eXtended Data and Cooke /i Technology lens data

  • PL mount with hex-adjustable flange focal distance

  • Premium optical quality with low distortion from center to corners

  • Sharp imaging with minimal aberration at any position or distance from the subject

  • High dynamic range; suppresses unwanted flare and ghosting

  • Color-matching to Fujifilm cine lens lineup simplifies color grading

  • 13-blade iris for smooth bokeh effects

  • Wide 280° of barrel rotation for precision focusing

  • Focus marks in both feet and meters

 
New York Aerial Cinematography fujinon 28-100

Fujinon Premista 28-100mm T2.9

Expressly designed for large-format sensors, the Premista28-100mm T2.9 Large-Format Cine Lens from Fujifilm covers up to a 46.3mm image circle in addition to Super 35 sensors. Its image quality is maintained from the center through the image corners and is color-matched to the Fujifilm cine lens line to reduce color grading in post. Compatibility with both ZEISS eXtended Data and Cooke /i Technology makes it easy to note your lens information for VFX work or matching shots. When paired with its 80-250mm companion, the two Premista zooms cover a wide range of frequently used focal lengths.

  • Covers up to large-format sensors

  • Constant T2.9 maximum aperture across 28 to 100mm focal length

  • PL mount with hex-adjustable flange focal distance

  • Compatible with both ZEISS eXtended Data and Cooke /i Technology lens data

  • Premium optical quality with low distortion from center to corners

  • Sharp imaging with minimal aberration at any position or distance from the subject

  • High dynamic range; suppresses unwanted flare and ghosting

  • Color-matching to Fujifilm cine lens lineup simplifies color grading

  • 13-blade iris for smooth bokeh effects

  • Wide 280° of barrel rotation for precision focusing

  • Focus marks in both feet and meters

 
NYC aerial cinematographer canon 50-1000

CANON CINEMA ZOOM 50-1000MM

The Canon CINE-SERVO 50-1000mm ultra-telephoto zoom lens provides 4K performance for Super 35 large-format single-sensor cameras and accommodates either broadcast or cinema-style production due to its removable Digital Drive unit. This lens is great for sports, nature documentaries, and other types of long-zoom field production, yet it’s easy to carry! It can be used with major brands of single-sensor Super 35 cameras and conforms to industry-standard camera-to-lens communication protocols including 12-pin serial communication (common to major broadcast camera brands) and Canon EOS technology.

  • Focal length: 50 to 1000mm (75 to 1500mm with 1.5 Extender)

  • Aperture: 50-560mm: T5.0 | At 1000mm: T8.9 (without Extender)

    • 75-840mm: T7.5 | At 1500mm: T13.35 (with Extender)

  • Length: 414mm

  • Front diameter: 136mm

  • Weight: 14.6 lbs (6.6kg)