CAMERAS

SONY VENICE 2

Featuring an impressive 16-stop dynamic range, internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, and an interchangeable sensor with updated usability and body design, the 8K Sony VENICE 2 Digital Motion Picture Camera is a step up for DPs, camera assistants, colorists, VR, and VFX departments thanks to its high-resolution capture and filmlike imagery.

 Features:

  • X-OCN Internal Recording

  • 4K ProRes 4444/422HQ Internal Recording

  • Interchangeable CMOS 8.6K Sensor Block

  • 16 Stops of Dynamic Range,

  • 800/3200 Base ISO Range

  • Removable PL Mount, Cooke /i Protocol

  • Sony E-Mount with Electronic Contacts

  • 8 x Integrated ND Filters Plus Clear

  • Integrated Assistant-Side Info Screen

 
aerial cinematography sony venice

SONY VENICE

The Sony VENICE CineAlta 6K Digital Cinema Camera was created by and for the cinematographer. It’s equipped with a newly developed full-frame image sensor meeting the needs of the film industry in pushing the boundaries of large format image capture with exceptional picture quality. It offers interchangeable PL or E-mount, built-in ND filters in 8-stages, 15+ stops dynamic range, a wide color gamut and LED menus on the camera body.

 Features:

  • Full-Frame sensor with the classic 36 x 24-mm dimensions that have been a staple of photography for over 100 years, capable of capturing images up to a maximum resolution of 6048 x 4032.

  • Two full-height 2x squeeze anamorphic imager modes that include 6:5 and 4:3 recording modes for 12:5 (known as 2.39:1) and 8:3 (2.66:1) scenes, respectively.

  • Recording Resolution: 6K

  • Exposure latitude: 15+ stops dynamic range

  • Built-in 8-stage glass ND filters

  • Record in-camera XAVC, ProRes or MPEG HD onto an SxS memory card. Additionally, using the AXS recorder, record in RAW or X-OCN onto AXS memory card.

  • Frames Rates from 1 fps to 60 fps

  • Interchangeable PL or E lens mount

  • Menu displays on camera left/right

  • Dual Base ISO: ISO 500 & ISO 2500

 
New York Aerial Cinematography RED Monstro 8k

RED DMSC2 MONSTRO VV

RED’s premier sensor, the MONSTRO VV, provides cinematic Full Frame lens coverage and delivers 17+ stops of dynamic range.

Features:

  • Sensor size: 40.96mm X 21.60mm (Diagonal: 46.31mm)

  • Max Frame Rate: 60 fps at 8K Full Format (8192 × 4320); 75 fps at 8K 2.4:1 (8192 × 3456)

  • 120 fps at 4K Full Format (4096 × 2160); 150 fps at 4K 2.4:1 (4096 × 1728)

  • 240 fps at 2K Full Format (2048 × 1080); 300 fps at 2K 2.4:1 (2048 × 864)

  • Max Data Rate: Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)

  • Exposure Index: EI 800

  • Exposure latitude: 17+ Stops

 

 
New York Aerial Cinematography RED Helium 8k

RED DMSC2 HELIUM 8K S35

The RED DMSC2 HELIUM 8K S35 provides 8K resolution in a Super 35 format and is the recipient of the highest DxO score ever.

Features: 

  • Sensor size: 29.90mm X 15.77mm (Diagonal: 33.80mm)

  • Records in Redcode RAW and Apple ProRes

  • Max Frame Rate: 60 fps at 8K Full Format (8192 × 4320); 75 fps at 8K 2.4:1 (8192 × 3456)

  • 120 fps at 4K Full Format (4096 × 2160); 150 fps at 4K 2.4:1 (4096 × 1728)

  • 240 fps at 2K Full Format (2048 × 1080); 300 fps at 2K 2.4:1 (2048 × 864)

  • Max Data Rate: Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)

  • Exposure Index: EI 800

  • Exposure latitude: 16.5+ Stops

  • Pixel density equivalent of 35.4 megapixels – 17x more resolution than HD.

 
New York Aerial Cinematography Arri Alexa XT

ARRI ALEXA XT-M

The Arri Alexa XT M (XT = Xtended Technology, M = Modular) is a flexible solution consisting of a separate camera head and body; it is designed for aerial photography. The M model features the same sensor, image processing, build quality, efficient workflows and exceptional image quality that have made the Alexa family such a worldwide success. The head and body of the M are connected with a fiber optic cable, which passes through our Shotover systems’ slip rings.

This unique camera design enables media to be swapped in the helicopter cabin, reducing the need for landings to change cards.

  • Sensor Size 23.8 x 13.4mm (16:9), 23.8 x 17.8 (4:3)

  • Resolution

    • 4:3: 2880 x 2160

    • 16:9 2880 x 1620

  • Frame Rate

    • 1-48 @ 4:3

    • 1-120 @ 16:9

  • Base ISO 800

  • Latitude 14 Stops

  • Bit Rate / Format / Time

    • 12 Bit Log ARRIRAW 256GB – 24min 512GB – 50min

    • 12 Bit ProRes / 10 Bit Avid 64GB – 25min 32GB -12min

    • Open Gate 512GB – 31min​

 
New York Aerial Cinematography Arri Alexa LF

ARRI ALEXA LF

Featuring a sensor slightly larger than full frame, ALEXA LF records native 4K with ARRI’s best overall Image quality.  Versatile recording formats, including efficient ProRes and uncompressed, unencrypted ARRIRAW up to 150fps, encompass all on-set requirement.

Features:

  • Sensor Mode LF Open Gate: ARRIRAW: 0.75 – 90 fps ProRes: 0.75 – 60 fps

  • Sensor Mode LF 16:9: ARRIRAW: 0.75 – 90 fps ProRes: 0.75 – 60 fps

  • Sensor Mode LF 2:39:1 : ARRIRAW: 0.75 – 150 fps ProRes: 0.75 – 100 fps

  • Recording Resolutions: 4.5K (sensor mode LF Open Gate and LF 2:39:1) -UHD (sensor mode 16:9) – 2K 16:9 (in-camera downscale in sensor mode LF 16:9) HD 16:9 (in-camera downscale in sensor mode LF 16:9)

  • Exposure Latitude: 14+ Stops

  • Exposure Index: EI 800

  • Shutter: Electronic rolling shutter, 5.0º –358.0º

  • Image Processing: 16 bit linear in Alexa Wide Gamut/Log C color space

  • Built in radios for ARRI wireless remote system

  • Built in ARRI Wireless Video System and WiFi

 
aerial cinematography canon c500

Canon C500

Features:

 

  • Total Pixels: 4206 x 2340 (Approx. 9.84 Megapixels)

  • Effective Pixels: 4206 x 2160 (Approx. 8.85 Megapixels)

  • Sensor Size & Type: Super 35mm, 26.2 x 13.8 (29.6mm diagonal) CMOS.

  • Imaging Processor: Digic DV III.

  • Filter: RGB Primary Color Filter (Bayer Array)